#Ipaint marty smith full

With both, out of the initial broad brushstrokes of colour and shapes, or the first encounters of text and language places appear, characters arrive, stories emerge. With both, the process combines craft and skill with memory and imagination. With both, there's a sense of setting the scene and waiting for the characters to make their entrance, then exploring to find out who they are - how they feel, how they stand, how they move, how they interact.

With theatre the starting point is most often the script. 'When I paint, my starting point is usually the paint itself.

Theatre and painting both offer an invitation to journey into unknown places, both are an enquiry into the human condition, both require improvisation and playfulness and the making of something new, so intertwining them makes absolute sense to me. 'There are many commonalities in both art forms. Audiences are willing to try something new and different because they pay a modest fee to attend and the plays are anything from five minutes to 30 minutes long.Īctor Barbara Peirson's art will be part of at The Cut arts centre.

#Ipaint marty smith full

The festival provides a platform for emerging writers, enabling them to see their work staged by professional actors and directors, and for audiences to sample 'little gems' of theatre. These bitesize productions are less daunting than writing something full length, and encourage writers to try out their ideas. INK was conceived in 2014 by UEA playwriting graduate Emma Struthers, with Julia Sowerbutts and James Holloway. In addition, John Morton, the writer of the English version of the Netflix drama success Call My Agent, which launches in 2022, will be in conversation, as will Peter Fincham, previously controller of BBC One who most recently produced the popular Clarkson’s Farm series. This year Miranda Hart, Will Gompertz and actor Elliot Cowan will have their plays staged by INK. Each location will have hour-long performances of three or more short new plays, taking place several times during the day. “I hope there will be a buzz in the high street,” says Julia, “as people pass by, meeting and chatting about all they’ve just seen.” Day tickets provide the opportunity to see a multitude of plays and sample a programme which includes performance poetry, children’s activities, a community stage of locally written plays, talks, stand-up comedy and an art exhibition.Īs well as introducing new talent, there are also original short plays contributed by well-known names. Part of the thrill of INK has been moving from one stage to another to see each new performance and now people will be walking between the different venues. READ: 50 fabulous things to do in Suffolk There are more than 100 shops in Halesworth and I hope they all see that this is a very positive thing for the town.” “We’ve got great support from the council. “We want to put the town on the map, just like the Hay Festival or the Edinburgh Festival does,” says Julia. In addition to The Cut arts centre, INK’s first home, plays will be performed, back-to-back over a long weekend at the Rifle Hall, the museum, The White Swan pub, The Angel hotel and MR King & Sons' car showroom. The growing popularity of the festival since its launch in 2015 has meant that this year it will take place over four days in eight venues, all over the east Suffolk town. This year we’ve selected the plays from 2,000 submissions.” “We’ve had lots of activity online and on BBC Radio Suffolk, and we've still been inviting new writing. “We haven’t stopped during the past two years,” says artistic director Julia Sowerbutts. Even an enforced absence due to the pandemic hasn't slowed the creative drive of INK.